![]() ![]() When the A, B, C or D buttons are used, the delay is routed to one or more reverbs so we have a series connection. Each delay and each reverb has a fader to control its level, Mute and Solo buttons, and variable high‑ and low‑pass filters. There are four different delay types that may be routed independently to any or all of the four reverbs, or directly to the main output, using the A, B, C, D and Out buttons at the bottom of the reverb’s LCD‑styled window. With a GUI that looks more like a mixer than an effect plug‑in, the signal flows from the delays on the left to the reverbs on the right. It instantiates with Chris’s default settings for each effect to give you an intelligent baseline, after which you can fine-tune your sound with intuitive console-esque faders. Waves CLA CHRIS LORD-ALGE SIGNATURE SERIES Plug-in Bundle NEW. And this plug-in enables you to layer and blend all eight algorithms the same way CLA does, piping delays into reverbs to achieve an über-lush sound. Waves VOCAL RIDER Auto Level-Riding Audio Software Plug-in NEW. But the key to CLA’s depth of sound isn’t in his gear, it’s in the way he deploys it. ![]() Not supported on macOS Catalina (10.15) and above. The last version to support macOS El Capitan (10.11.6) and Windows 7 & 8.1. v10 is available for online installation in Waves Central. ![]() Waves CLA Epic is jam-packed with four delay modules (Slap, Throw, Tape, and Crowd) and four reverb modules (Plate, Room, Hall, and Space), all based on Chris Lord-Alge’s preferred studio gear. To find out whether a certain plugin exists in V10 or V9 versions, visit the V10 and V9 Legacy Download pages, and scroll down to the bottom of the page. CLA Epic Crack: Next-level Reverbs and Delays Jam-packed with CLA-approved effects ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |